The third logbook entitled TWO HOUSES ON MAJORCA, which appeared in 2004, is about Utzon's own houses on Majorca, Can Lis and Can Feliz. For Utzon, as for any other architect, his own house claims a special status. This is where the architect has time to explore, to carry out experiments on a one-to-one basis, make mistakes - and correct them. With expert guidance from John Pardey, the two houses are inscribed in historical references to Frank Lloyd Wright, Le Corbusier, Sigurd Lewerentz and Alvar Aalto. But primarily, the book's analyses establish an internal dialogue between the two houses and Utzon's unfulfilled project for the house to be called Bayview in Sidney. In 1972, Jørn Utzon found sanctuary by building a house on the island of Majorca. Perched on a cliff top looking towards Africa and built of the local stone, he named it Can Lis, in honour of his wife. Some twenty years later, Jørn and Lis Utzon moved inland to a mountainside and there refined the stone architecture of Can Lis in the making of a new home, Can Feliz. With Can Lis, Utzon defined the essence of a modern Mediterranean architecture. His ability to assimilate and express a culture through architecture was already evident in the first house he had built for himself, in 1952, at Hellebaek in Denmark. Later, in the Kuwait National Assembly building, he created a persuasive model for a modern Islamic architecture, whilst in Sydney he made a building that has come to stand for a city and a nation. Can Lis and Can Feliz have been, like their architect, elusive - reclusive even - yet they deserve to be included amongst the succession of houses that, more than any other building type, defined the course and achievements of twentiethcentury architecture. Through comprehensively documenting his houses on Majorca this book demonstrates how, by tapping into the particularities of place and culture, Utzon was able to create a seemingly timeless architecture of universal interest.
